Cascadas del Hueznar

Seville enchants

The church is located in the uppermost part of the town, on the old street commonly known as El Porche. It has now been renamed as Don Juan de Dios Corrales Gálvez, who was the parish priest for fifty-three years. This beautiful baroque church from the 16th century was once a small chapel or private oratory of the Counts of Gelves.

This is an early 15th century Gothic-Mudejar church with a rectangular floor plan and a polygonal apse reinforced by buttresses.

It has three naves separated by pointed arches supported by columns, the body of the church having a gabled wooden roof over the central nave and a single pitch on the sides, while the sanctuary has a ribbed Gothic vault.

The church was built in the 15th century by the Ducal House of Arcos, the Lord of the town of Los Palacios, who had great devotion to the Lady of the Snows, patron saint of the village.

The impressive pictorial decoration from the 18th century makes this Church an artistic landmark. The Nuestra Señora de la Asunción Church was completed in 1646. It has always had strong ties with the Real Hospital de Pobres Enfermos de la Asunción, a charity hospital. 

The Santiago Church is in the town centre, not very far away from the Fortified Compound and the Santa María del Águila Church.

The foundations date back to 1500. The Gothic floor plan consists of three naves covered with rib vaults. Parts of the Church are Neoclassical (18th century).

It is one of the most significant buildings due to its architectural features.

The Convent of Las Teresas is located in the former palace of the Counts of Palma, a fascinating Mudejar building erected in the 14th and 15th centuries. 

The Palace of the Marquises of Peñaflor, built between 1700 and 1775, is one of the greatest exponents of Ecija’s civil baroque architecture. Known as the palace of the “long balconies”, its striking curved façade –over 60 metres long- follows the layout of the street. Its veranda is painted with trompe l’oeil of architectural features, false windows and figures.